I’m on Insta

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None of us poets know quite

what to write, although many do

thoughtfully, yet it’s never quite

right, not really… apart from the

risk of labels such as virtue

signalling





Words in a time of war carry weight

and most of our words don’t weigh

quite enough in the face of Gaza

poetry isn’t going to cut the mustard

somehow, no matter how heartfelt

somehow





I’m on Insta and scroll for comfort

I find Ruhama, from Boston,

Mother of four, Middle Eastern Cook

she’s Jewish and lately, I hesitate

to tick like and instead I push ‘save’

secretly





She’s not responsible for Gaza any more

than I am, or you are. For a while I did

watch the reports on Insta from

Middleeasteye, but frequently now

there’s a ‘sensitive content’

warning





I have no problem watching videos where

planes have dropped thousands of feet

startling passengers, tossing them around

bloodied crew and oxygen masks amok

in fact I’m deeply engrossed in their drama

vicarious





I want to look, to force myself to witness

what’s happening, not to be a wimp

not put my head in the sand become an

Ostrich scroller only looking for food content

or a comedy diversion from Tom Sainsbury

selective





But I want to look away, avert my eyes

rather than watching mothers wailing

their babies bodies dismembered, burned

buried, bombed, brutalised, babies

we’re talking about babies

babies





The words of poets seem, well, less

than adequate, no matter how adequate

their form, intent and language, because

how can a poem adequately, accurately

begin to convey

what

is

happening

today

in

Gaza

I almost slept with Don Binney

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So said a woman in Nelson at a talk

by Gregory O’Brien, or so he tells us

At his talk at Featherston Booktown





Almost slept, the words fill the air

in the Anzac Hall. All those military

men gazing down in disapproval





There must be millions of us, who

‘almost’ slept with someone and

that doesn’t even include fucking





I recall a US sailor off an Icebreaker

at my flat in Hataitai… we slept

together but we didn’t, you know





I was saving myself at the time

stocking my glory box with Irish

linen and pearl handled cutlery





So, I’m distracted, as Grego describes

two bold birds mating, the print his

parents gave him for his 8th birthday





two birds (God knows what sort of birds)

mating but it took Greg several years

to know this fact… Steve Braunias in





an altogether different session in

the Kiwi Hall tell us you need at least 70

facts in a piece of non-fiction





(I see writers scribbling this gem or

committing it to memory)





Almost slept could well be a fact but

could be easily misunderstood

I’m still thinking about it





The whole idea that this woman and I’ve

no idea how old she was when she said

this, wanted us to know

I almost slept with Don Binney





Greg is eloquent, passionate, he’s a man

to whom the letter P applies, a poet and

a painter, inspired by Binney’s mating birds





But it’s the woman who almost slept with

Binney, who holds us, riveted, her voice

unheard, fills the Anzac Hall