I wake to my alarm
a song I love
play Wordle when
as a child, I might
even have prayed
briefly I consider
seduction
but it’s getting late
I have a date
with the sea

To a man who ran out of his way
without a thought for himself
into the face of slaughter
His mum is proud, the gunman
dead, the rest of us are reading
about him, amazed
we are full of praise and wonder
if we would have the guts
not many of us
we are keyboard warriors
mostly full of eloquent rage
and impressive impotence
few of us have been to war
fewer still even held a gun
but we rage
social media fuels our
rage and now it fuels
our praise
so happy to have a hero
at last
this chap, who ran into the face of slaughter
saving your mum, your dad,
your son, your daughter
saving us all somehow, briefly
I’m passing on the pavement and
through the shop window I watch
a barber and his customer both
transfixed gazing into a mirror
The barber’s head is slightly higher
than his customer who is seated
but he’s bending his head to fit
inside the framed reflection
The freshly trimmed beard, shaved
back and sides, all his own work
the customer galvanised by
his own image mirrored back
two men transformed
That moment when a new haircut
is briefly life changing for both cutter
and customer and then it’s gone
and I’m gone along Jackson Street
to catch my bus, head down, into
the wind, carrying this image with me
this perfect moment, cutter and
customer locked in mutual admiration
all our hopes on a haircut
We used to meet in cafes, face to face
Now I lie resplendent on fresh linen to scroll
while Annabel is talking earnestly from France
(to me), well not really, she’s got followers
And she’s not the only one, there are women
with the same intensity and earnest pleas
wanting me to know about foundation for old
skin like mine as they rub liquid in circular motions
blinking, speaking, as if they are right here with me
in my bedroom and I’m the only thing that matters
It’s a new skill, this earnest, look at me, I’ve
Something to tell you and no you are right
I’ve never met Annabel in a café but
You get the drift and drift I do from one reel
to another, skipping over Middle Eastern Eye
with all its subjectivity, voices from both sides
carnage, each claiming their morality
The carnage in the next presenter’s skin
Is just fortunate old age and Annabel
is now at a village BBQ somewhere in
France with lambs on the spit and wait
there’s a wine fountain, all you can drink
It’s hard to think about the less fortunate
almost seems churlish to do so
When life gives you grandchildren
(while watching Life gives you
Tangerines)
Watching Netflix, Korean drama about
Hanyeo, Jeju, places I know as a tourist
Volcanic rock, women divers, motherhood
I’m drinking a Pinot Gris in spite of believing
I have pancreatic pains because I am
creative and overwrought and loving
Umma, Mum, Mama, Mom, even Mummy
And I might cry even without the wine
Who needs subtitles to comprehend
Last night, I pat-patted goodnight to my
darling mokopuna, Sonja, 손자 granddaughter
her hands grasping both mine tight
locked in, waiting for a change in her
breathing, the gentle sound of a snore
or the pip pip of sleeping bliss
before
I untangle both hands, with the stealth
of a haneyo, halmoni, or Kiwi grandmother
and slip from the bed like a happy thief
to be woken by the hot breath and thick
hair of love in pink pyjamas clasping
my hands again, a reclaiming
so tonight, in spite of old age signs
of possible problems, I abandon
caution, ignore health warnings
watch Korean Netflix and celebrate
motherhood, miss my own mum
and revel in being a halmoni
if this is old age, then, here I am
Brooke Van Velden has a way with the flick of her hair
a nonchalant movement that says to us all, she just doesn’t care
Not a wit or a worry about changing the Bill that will
stop fair payment claims for our sisterhood, how dare she
but you see she’s in thrall to David the Atlas guy, he of
the Treaty Bill if you will, and the school lunch revamping
an 8 % vote but don’t worry, he’s stamping all over the PM
our hapless, and hatless, and utterly witless blue suited man
who always gets tongue-tied while trotting out slogans
wherever he can things like What I’ll say to you – yet he
hasn’t clue he’s the fmcg guy, aisle ends all the way
most of the time on a plane, and flying away from us
while Winnie takes charge blaming all things too woke
crying get back to basics where a bloke is a bloke
and a sheila knows better than Winnie for sure
when it comes to the pay check the bloke he gets more
how else could he cop up for all those blue suits
shiny shoes and fine dining, our Winnie’s a winner
Brooke Van Velden is simply a total beginner
She’s sold out the sisterhood but not on her own
shoulder to shoulder the girls they lined up
Erica, Nicola, Judith, Louise, a new breed of women
all eager to please David Seymour … ?
Bring back Marilyn Waring a girl with some guts
or some guys from the back bench could throw us
a crutch, it’s not as if equal pay is asking too much
The ballot box girls is our only solution, get started
campaigning, there’s no absolution
for girls with the hair they flick in defiance, pants suits
they button with casual compliance, it’s time for
a change, we need hearts in the mix
Gird your loins girls of all sorts and all chromosomes
the whole bloody alphabet and all antinomes
Let’s show them what we think in 2026
High Wire
I went to the launch at the Seatoun Bowling Club. You just gotta love the venues poets choose to launch their books. Mine was launched from the bedroom of the bookseller during lockdown. And more recently, Simon Sweetman’s The Richard Poems were launched in a trendy men’s clothing store/barber shop.
I first met Michael when we were reading poems together in Kapiti at a Retirement Village and indeed we also read to one of our most receptive audiences in the dementia ward of that village. An unforgettable and unexpectedly heart-warming experience for all the poets involved.
Early on in this lovely collection, Michael writes:
My poems seem to appeal
To people who don’t read poetry.
He got me, right there and then. I feel such a connection to these words about my own poetry. I’ve been picking his book up every day to read at random and each poem brings joy. There’s a theme of gratitude throughout. The poems speak of the ordinary with such love and affection and too, the profound. His love of family is palpable and joyful. He speaks lightly of a brush with death (more than a brush, a serious cancer diagnosis which he has written about in an earlier collection) but he manages to be uplifting and grateful in all his observations.
There’s delightful humour and I just love this poem/anecdote – yes, Michael pops poetic anecdotes into this collection, stylishly and inspiring.
A friend buys bulk chicken on special from PAK’Nsave.
He divides the chicken into meal-size portions and freezes them. You have no idea, he says. A few bucks a meal.
He and his wife live on the pension. They eat enough chicken to fly business class to Europe every three years.
Another poem that leapt out at me and I just love, is about his daughter coming home to watch the All Blacks snatch a 16-15 victory in Dunedin … the poem talks of Razor Robertson’s first test …
Surprisingly for an All Black
Coach, he’s a talker
This made me laugh out loud as I said almost exactly that when I listened to Razor’s after match chat.
Then there’s the very beautiful love poem The Fin with dolphins and orcas but at the very heart is love, romantic, domestic and true.
Another that spoke to me On the white carpet – musings about moving into a house with white carpet and spilling coffee. Memories for me of white shagpile carpet in an apartment in Auckland in the late 70’s. Play us a tune Maureen an evocative family poem reeking of all things Irish, family, history and heritage. A gorgeous glimpse into the author’s roots.
There’s so much to love in this collection. It is uplifting and for a poet, it is inspiring. I rushed to write my own poem about an encounter I had at our local Pavilion Café, after reading Michael’s delightful encounter at his local 4Square Four Square Philosophy.
The final poem in this collection Credo is one of my favourites. It’s a perfectly placed poem to end such a loving collection. It feels like a questioning of faith and yet a deeply embedded faith too. The final lines …
So when you step out the front door
by the olive tree,
you have something to take with you,
something sustaining,
like a cut lunch.
How Good is This? … (the title of another poem).

There's a chain link fence
that marks her grave
Only 21 when she died
He proposed they said
when she lost her leg
perhaps on bended knee
I was young and filled with awe
that love could be so grand
now the bar was set for me
Romance lit large by a chain
link fence at the local cemetery
that he had asked for her hand
I still get a shiver of something
whenever I pass her grave
on the left before the tree
when I go to visit my family
graves, that chain link fence
still speaks to me
of a time when thoughts
romantically were forming
he set the bar quite high
I was almost ready to lose
a leg but not quite ready to
die for love, but a ring, oh
Oh a ring as a thing
back then for sure
embodied perfect love
the tombstone has an
angel etched, the white
chain fence protects
her grave, romantic love
enclosed and we never forget
that he proposed
Laughing with pigs
It’s 1973 and I’m breathless with
life hitching a lift in Norway
it’s dusk going on evening and
a truck stops to pick me up
we chat with my newly learned Norsk
a real conversation, I’m feeling fluent
the truck driver is happy to chat
a friendly bloke with no English
I ask him what he’s carrying in the back
of his truck but he has no words so
he pulls over, stops the truck and
we get out to look at his pigs
I’m riding in a truck that is loaded with
pigs… pigs, I say, pigs and he says griser
back and forth, pigs, griser, pigs
he slaps his thigh with one hand laughing
back and forth, pigs, griser, pigs, griser
all the way back to my hotel where I work
loving this shared hilarity of new words
feeling fluent, pigs, pigs are griser
He drops me off, and we wave goodbye
like old friends and it’s barely a week later
one evening in the bar when I learn that
pigs with a Kiwi accent sounds like
a Norsk word for male genitalia
my affection for the truck driver
is renewed… no sly slant, just
genuine laughter and a lift home
If this was Netflix, I’d be dead by now
(Wordle word of the morning)
Double o vowels, a long, interesting sound
with the consonant ‘l’ as a flourishing finish
to drool is to savour perhaps, to desire
babies drool and we wipe their cute chins
an old man drools, and we see his decline
like spit when a friend spoke during Covid
sunlight lit their spit as it flew towards
you, sparkling, dangerous alive yet deathly
so that we dodged even while fascinated
that this flying drool existed, so vivid
illuminated, lively and terrifying hitherto
unnoticed and now possibly fatal
A poet should drool perhaps on each chosen
word, or wish to inspire a drool from a reader
the long double o sound with an l to land it
let’s drool