Summer afternoons

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Our local korimako has set up shop to taunt us with their melody
Insistent, tuneful, repetitive, hiding we think in the giant macrocarpa
we spot tui dancing from pohutukawa to cabbage tree and eucalypt

a breeze lifts so that leaves lift too and sunshine obscures our view
fat wood pigeons (the kereru) fly drunkenly low almost acrobatic
but our local korimako makes more noise than any of them, show-off

I creep up the driveway toward the macrocarpa, the way I do at night
when our local morepork is hooting and tooting and talking to me
they also hide and I’m certain detect my silent footsteps, so stop

And instead, I whistle back to the korimako, and considering I rarely
match proper pitch with pop songs, it’s surprising that they hear me
but they do, and we whistle back and forth, friends for an afternoon

me and my local korimako




Bum Airborne

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Bikes are charged and waiting on the drive
I’m applying my new Korean sunscreen
Soon I’ll don my under groin padded shorts
slip on fingerless gloves with pinhole patterns
that I’ll secure with two neat Velcro straps

It’s a long cry from leaping onto my second-
hand Raleigh (a gift from my maiden aunt)
to cycle to the Appleby River and back or
Rocks Road to fish off the working wharf
or Edens Hole for a swim and sunbathe

Like my mother in her ballgown back in
the day, cycling from Richmond to Stoke
or further, ciggie in hand, anything for
a whirl around the ballroom – and who
knows what shoes she used to cycle

But it’s 2025, and I’m 75 and I have
a battery on my bike and certain
preparations required include a Hi-Viz
vest, bright blue crash proof helmet
my iPhone charged zipped in my pocket

Past the purple ragworth, the fisherman
divers, families with chilli bins, walkers,
smiling at other cyclists, some unpowered
moving faster than me, and scowling at
a family on the beach who’ve lit a fire

On the roadside is a sign that says
Light No Fires and the ashy smell
catches in my nostrils along with
indignation as I imagine sparks
flying from the beach to the bush

I cycle over newly laid aggregate
which covers the injuries made
by Cruise Ship buses as they
hurtle along the Coast sending
up clouds of dust and diesel

Each year a fresh crop of potholes
uneven surfaces, and skid patches
for wary cyclists … the trick is to
pedal fast and sure seated like
you did back in the day, unafraid

Stand on the pedals bum airborne
as you cycle over the cattle stop
arms rigid, controlling the battle
over the bumps and down again
flying briefly, well, almost it seems

Channelling that girl on her Raleigh
no gears and back pedal brakes
riding two abreast up Oxford Street
arms folded, careless, carefree
sans sunscreen or Hi Viz, and
just a white Panama hat thank you

A view of the world

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A view of the world

Elton John’s yellow brick road races across towards our house from Matiu Soames
Mid Winter, the sun dropping in its usual show-offy way, exploding grey clouds
I’m chopping a red onion that ought to be a shallot but I forgot and it will do
the dill is waiting with the cream, the capers, the chopped garlic, zest of lemon

Tomorrow an eye surgeon will scoop out my old useful lens from my right eye
someone described it as akin to a designer scoop for a delicate entrée of
well, who knows, something that small, a small scoop and out comes my lens
my faithful view from my right eye of the world, my perspective, a wee bit cloudy

I’m having a wee slosh of wine as the recipe demands a deglaze and I only have
my favourite Pinot Gris with which to do this, so of course, I’m going to taste it too
in the meantime a friend just emailed to say they had their cataract done yesterday
And it was … challenging and everyone else had assured her it was a doddle

She emails back almost immediately to say she didn’t mean to scare me and that
her eyesight is better already but you know she just wanted to be honest and her advice

You just lie back and let it happen as with so many things in life

I’ve warned the surgeon I sometimes get vertigo but now I’m practising lying flat

I will lie back as my friend suggests and think of England as the saying goes
But there’s so much else to think of, eyesight aside, right now its Gaza and Tehran
And I live at the bottom of the world where I can have a new plastic lens for my
new view of the world safe inside a sheltered harbour nowhere near war


The Nor’wester

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I was walking down the zig zag this week and peeked over the fence at my old garden (roses now in bloom), got a bit nostalgic and wrote a poem about the Nor’wester …


then, this morning a dear friend in Sunny Nelson sent me a photo of her blooms









November means roses erupting all over the show
bundles of scented beauty in clusters on arbours
standard and staked, rambling and rambunctious
glossy leaves before the aphids arrive, thorns
rise up and out in defence protection agents
before grandma or whomever arrives with secateurs


quickly, take yourself down to the garden to
breathe in the fragrances, heavy, light some say
green tea or honey, but rush, rush why don’t you
before that damn Nor’wester arrives
to startle the tuis, shift the kereru, entwining
cabbage tree flora to sway and dangle


why did you plant those roses right here in line
of the wind, in clay soil near the sea, surrounded
by manuka, kanuka, kawakawa, beech those
cabbage trees, the flax bushes, the kowhai
did you think your Constance Spry would not fly
away shedding petals in November?


But still, year in, year out you cosset them
Your favourite flowers, out of place in your
native garden where geckos manoeuvre unseen
where tuatara might once have been, but no
you wanted roses, by the sea, so you could
glimpse perfection, inhale summer
then you curse the Nor’wester

After the wars

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Gladioli staked, tied and tall
orange-throated in friable soil
in front of wide weatherboard
gaudy early summer glory


our uncle back from Korea
snaps photos on his box brownie
to give us little black and white
pictures with crinkle-cut edges


silk tigers stalk our front room
mum’s fake pearls housed in
black lacquered boxes from
Seoul, or maybe from Japan


K Force and J Force, brothers
in both places with albums
full of pictures of post bomb
Hiroshima and geisha girls


home bearing gifts for grandma
my mother and her sisters, we
kids unaware our own father
home from a different war


mowers, the smell of petrol
grass clippings into catchers
a postman’s whistle, the whine
of a blade on concrete


tennis mid road if you like
cows grazing on chamolly
mushrooms in the back
paddock for picking


the peanut butter scent
of the Harlequin Glorybower
the bush between us and
the next door neighbour


their son who fell from the sky
taking photos from a tiny plane
that swooped too low for
the perfect shot in peacetime


our first local tragedy
before the taxi driver who
was murdered and our
brother who killed himself


the gladioli fooled us with
their orange-throated glory
triumphant post war as if


this

was
it


I almost slept with Don Binney

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So said a woman in Nelson at a talk

by Gregory O’Brien, or so he tells us

At his talk at Featherston Booktown





Almost slept, the words fill the air

in the Anzac Hall. All those military

men gazing down in disapproval





There must be millions of us, who

‘almost’ slept with someone and

that doesn’t even include fucking





I recall a US sailor off an Icebreaker

at my flat in Hataitai… we slept

together but we didn’t, you know





I was saving myself at the time

stocking my glory box with Irish

linen and pearl handled cutlery





So, I’m distracted, as Grego describes

two bold birds mating, the print his

parents gave him for his 8th birthday





two birds (God knows what sort of birds)

mating but it took Greg several years

to know this fact… Steve Braunias in





an altogether different session in

the Kiwi Hall tell us you need at least 70

facts in a piece of non-fiction





(I see writers scribbling this gem or

committing it to memory)





Almost slept could well be a fact but

could be easily misunderstood

I’m still thinking about it





The whole idea that this woman and I’ve

no idea how old she was when she said

this, wanted us to know

I almost slept with Don Binney





Greg is eloquent, passionate, he’s a man

to whom the letter P applies, a poet and

a painter, inspired by Binney’s mating birds





But it’s the woman who almost slept with

Binney, who holds us, riveted, her voice

unheard, fills the Anzac Hall


			

Welly, Me and Katherine Mansfield

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Oh Welly, you shining star
Today you were my heartbeat
as I walked your streets
to Te Papa to listen to
a conversation about 
a very modern woman
our Katherine Mansfield
100 years since she died
Oh Welly, what would she
think of you today...
Wouldn't she be surprised

The things she might have said
about the dreaded cruise ships
parked on the sea, disgorging
elderly tourists into Lambton Quay
imagine the parody...

Oh Welly, you sure turned it on
today, and I listened in thrall
to talk of our Colonial girl
so ahead of her time

I found you waiting for me
in your dress of words
and I took your hand
for a brief moment
just you and me babe
you and me

until an elderly tourist
offered to take my photo
Oh I know you'd love the
irony.

Unpacking Cliches

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On Saturday, I left home at 7.30 am to drive over the hill to Carterton. The reason for this, was the lure of a free Poetry Workshop and later on, performance by Chris Tse.  What’s not to like?

The Poetry Workshop was at the rather flash new Carterton Events Centre (well, it looks very new). We were in the Hurunui o Rangi Room.  Rather like a Corporate Boardroom with Chris and his whiteboard at the top table.

One and a half hours to unpick the meaning of two poems and have a go a writing something ourselves (with several song lyric prompts on the whiteboard).

But, first we had to introduce ourselves and tell the group what sparked joy for us, or in us.  Of course cliches abound with such a question. One group member had both a mother and a granddaughter named Joy, which was rather special.  One woman claimed that joy for her was elusive and she needed to work out how to find it. A dog licking a waking face was another rather lovely image. Grandchildren, the night sky… You get the drift.

We looked at Jenny Bornholdt’s now very famous poem ‘Make Sure’. It is a perfect example of how to undercut, and distill what is for sure, a Kiwi cliché – man lost in the bush – grieving wife talking to the news. The discussion around this poem was interesting because love was the enduring theme in responses to it. The clever final shift of pronoun from you to I in the last line, owning the whole poem.   It’s easy to read this poem several times and find new ways to inhabit it. It had an extra resonance with the shadow of Cyclone Gabrielle stalking our thoughts.

We then read a poem by Sam Duckor-Jones ‘Allemande in G by J.S. Bach. I’d read this poem before and to be honest, I’d dismissed it as pretentious modern and who cares. But, when I had it explained to me by Chris and what Sam was doing with musical notes, I finally ‘got it’.  No longer pretentious, but clever, ingenious and great fun. Poetry that has constraints is something I admire. The Villanelle, Sestina or even a Sonnet.

The final exercise was to write for about ten minutes (maybe a little longer, but not long) – just the first response without thinking too hard, to prompts from the whiteboard.

Here’s my effort… yet to be tamed.





I didn’t start the fire


Mum did, she sharpened
the axe first, in the shed
cobwebs overhead, the
smell of lawnmower petrol
and freshly cut kindling

what was she thinking
falling for the returned
soldier who proposed
in the graveyard
threatening to kill himself

as she scrunches paper
into tight balls to build
a cushion, allow air in
before setting the wood
before striking the match

before
does she hesitate
does she wait
to strike the match
to smell the sulphur

sometimes, peeling onions
she stuck a struck match
in her mouth, evidently
folklore has it this
will stop you crying

Chris generously gave out pencils at the end of the workshop and I grabbed two – see my photo.  He really is an inspirational poet.  His journey as a young Chinese Gay man and the story he told us at his performance later in the day…. He talked to his Mum about ‘coming out’ and she said to him ‘you’ll be lonely’…. His reply ‘I’m already lonely’.   Wow.  Right to the heart.  He owns the stage, he owns his poems and he’s generous to boot.  After reading several of his own poems, he chose to read some of his favourite poems from other poets he knows.  Applause.

Skinship

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Skinship

Run the sound over your tongue
let it roll for a while in your mouth
then swallow it whole

Skinship, like kinship, meaning
connection but through the skin
as simple as holding hands

Konglish, meaning Korean
English, a new word, but
not a new feeling

Skin on skin, a hand in
yours, a touch, skinship
kinship, friendship

It’s not difficult to
guess why Korea
created this new word

Fathers holding adult
son’s hands, mothers
holding daughters

Touching, skin on
Skin, with kin 
this word

Skinship
It crosses culture
it caresses
skin on skin

The ship of affection
Skinship
Sail on you beauty

Daebak!